One reality, many media
Matter, image, sound, code, movement and immersive environments may belong to the same artwork.
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A movement for a reality in which the physical and the digital can no longer be separated.
Presented during the centenary of Brazil’s Modern Art Week, with the support of PUC-SP, the manifesto proposes more than a new technique: it names the condition in which contemporary art is created.
Digitalism is not art made with technology. It is art made in the reality technology has transformed.
Image, painting, photography, sound, code, movement, embroidery, print and immersive environments may coexist in the same artwork. Technology enters the artistic vocabulary until it disappears inside the experience.
A visual synthesis of the movement: matter, technology, imagination, authorship and freedom of media in one sequence.







The complete reading preserves the origin, rhythm and intention of the Manifesto for Digitalism. The film does not summarize the movement: it records the formulation that made it public.
Matter, image, sound, code, movement and immersive environments may belong to the same artwork.
Digital tools are not ornament or spectacle. They become expressive vocabulary in the artist’s hands.
Technology expands perception and possibility; intention, sensitivity and authorship remain human.
Digital meets canvas, pigment, textile, stone, projection and space. Each medium adds presence.
Modernism, Surrealism, Pop Art and other movements are not erased: they become material for new combinations.
A creation may exist as object, animation, projection or environment and meet audiences in different places.
Cristiano Chaussard initiates the proposition; other artists and audiences expand, challenge and keep Digitalism alive.
The international journey begins, taking hybrid digital works into the contemporary art circuit.
Public presentation during the centenary of Brazil’s Modern Art Week, with the support of PUC-SP.
Digitalism — The Centenary of Brazilian Modernism occupies Galeria Itaguaçu + Arte in São José.
The movement reaches FIN and the Museum of Image and Sound of Santa Catarina, in Florianópolis.
Physical works, animation, sound, augmented reality, projection, 3D environments and collaboration.
Artists · collectors · audiences · press and partners · sponsors
From creative potential to international presence.
A market infrastructure and a school of perception. The programme selects artists, reframes trajectories, professionalizes documentation and pricing, develops buyers, educates audiences and the press, promotes international circulation and supports consolidation.
Explore the Accelerator ↗
Perception and recognizable images where they do not literally exist.
View collection on the art site ↗
Scale, cartography and landscapes revealed by a gaze that crosses distances.
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Recognizable architectures and realities crossed by digital imagination.
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Surface, body and movement. Co-authored with Vanusa Riquelme, 2022–2023.
View collection on the art site ↗Augmented reality, 3D environments, animation and sound do not explain the artwork: they expand what it can do. The visitor no longer observes only a surface and begins to move through layers.
Enter the experiences ↗
The movement welcomes artists, researchers, curators, institutions and audiences interested in building new relationships between art, technology and human presence.
Discuss Digitalism ↗